I know I don't really have an audience, so I'll just apologize to myself for not being around in a while. In week seven I had my best week yet, largely because I was getting up very early (4:30 in the morning early) and actually getting things done. Then I decide to switch to writing after the kids were in bed, since I've always been a night owl at heart, but I ended up being so burnt out from work and getting up early for weeks that I'd just surf the Internet or waste time, often staying up until one or two in the morning and being a zombie the next day. Epic fail.
But that's all in the past, right?
I spent the day coming back to the idea of serialization, which I first talked about in March. There's been some debate on KBoards about how readers would respond to the different types of serialization. In the most traditional sense, a serial has a clear beginning, middle, and end, despite being a short piece. Meanwhile, a series is often thought of as several related, standard length books that can be read in any order. Apparently the term "saga" refers to what I usually consider to be a series, which are standard length books with a clear beginning, middle, and end that must be read in a specific order to understand the overarching plot.
The people posting on KBoards seem to be in one of two camps when it comes to splitting a traditional novel into several parts that have no clear beginning, middle, and end, and finish with a cliffhanger. The first believes that readers will consider it nothing more than a money grab, and that they will become annoyed and leave several one star reviews. The logic is that even if the serialization is designed for borrows through Kindle Unlimited, there will inevitably be a number of buyers who won't appreciate having to pay for one book several times. Of course, if one were to price each of the installments at $.99, over a four part serialization the author would only earn $1.20. If the same book was sold for $3.99, the author would earn $2.79. So clearly serialization is not a money grab, but readers may not realize this. I think the key is keeping the pricing of each individual installment approximately the same as the pricing of the box set.
The second camp believes that serialization is a good way to maximize the benefit from the 30 day hot new releases algorithm. Also, readers are less likely to buy a book from an author who only has one book published, and breaking a novel into several parts will increase the number of books available. Several authors have had great success with this approach. Key is having a very clear blurb that specifically says the book is an installment and that it ends on a cliffhanger. As readers of short works are a different target audience than readers of full novels, posters on KBoards also recommend saying that the books will be bundled when the last one is released, so that those who prefer a longer novel format can wait until it is available.
So my current plan is to completely write the book so that I can work in hints in the early stages, but to publish it as for "episodes" approximately 25,000 words long, roughly corresponding to Act 1, Act 2a, Act 2b, and Act 3. The Self-Publishing Podcast started applying the "episode" TV term to serialization as people are familiar with TV episodes that must be watched in order and end on a cliffhanger. The SPP guys release all episodes as a "season" in one fell swoop, Netflix style. I plan on stretching the releases a bit more than this to maximize the algorithm, but for the most part think the terms "episodes" and "seasons" are ideal.
My plan is to release the box set when people are getting their new kindles for Christmas. Each preceding release would occur a month before that date, with the exception that the first and second episodes will be published at the same time. The purpose of this is for the first episode to act as a free loss leader, and the second is immediately available to show that I am an author doing this for the long term. As a reader myself, I will seldom buy into a series if only one book is available because the author may just drop off the face of the earth.
September 2015: Release episode one as free. Have episode two available for $1.99, and episode three available through preorder for $1.99, with release in October 2015.
October 2015: Episode three is published. Episode four is available through preorder for $1.99.
November 2015: Episode four is published. Box set is available through preorder for $4.99.
December 2015: Box set is published.
Total cost to reader purchasing individual episodes: $5.97
Total royalties for selling all four individual episodes: $1.79
Total cost to reader buying boxed set: $4.99 (savings of 16%)
Total royalties for selling boxed set: $3.49
Given the above calculations, it may look like serialization is a bad idea, however exposure is key. By having two books available from the onset, I'll have the benefit of a loss leader with an immediate funnel to a purchase. Also, by releasing the next two episodes and the box set within the 30 day window, a title should be available on the hot new releases list for four months, instead of just one. If I've learned anything from reading KBoards it's that getting discovered is one of the most difficult hurdles to overcome in self-publishing, so I'm hoping this plan will work.
Tuesday, 28 April 2015
Weekly Progress
I'm a new writer who's still trying to work out how to be productive and write faster. I also love data, and track my output in a spreadsheet. Here I just wanted a place where I could post the weekly totals that I discuss in my Sunday updates, so I could see everything at a glance. I'll be updating this every week.
This form of progress tracking replaces the one I used previously, which didn't differentiate between editing and writing, and as a result the words per hour calculation wasn't accurate. I also realized that I was spending a lot of my time on the business aspect of self-publishing, such as reading about marketing and promotion on KBoards, but I wasn't tracking this at all. So when I would look back on the total amount of time I spent each week on developing this side career, it looked quite low. My old way was like tracking the production line, but paying no attention to the hours logged by the marketing division or the research and development team. This new way of tracking truly captures how much time I am spending on launching my writing career.
Key: W/E = Writing and Editing; B = Business (learning, production, marketing, management); O = Other (learning craft, outlining); WPH-W/E = Average words per Hour when writing/editing.
This form of progress tracking replaces the one I used previously, which didn't differentiate between editing and writing, and as a result the words per hour calculation wasn't accurate. I also realized that I was spending a lot of my time on the business aspect of self-publishing, such as reading about marketing and promotion on KBoards, but I wasn't tracking this at all. So when I would look back on the total amount of time I spent each week on developing this side career, it looked quite low. My old way was like tracking the production line, but paying no attention to the hours logged by the marketing division or the research and development team. This new way of tracking truly captures how much time I am spending on launching my writing career.
Key: W/E = Writing and Editing; B = Business (learning, production, marketing, management); O = Other (learning craft, outlining); WPH-W/E = Average words per Hour when writing/editing.
| Wk | Week start | W/E | B | O | TOTAL | WPH-W | WPH-E | Net words |
| W-1 | Jan 26, '15 | 6:15 | n/a | n/a | 6:15 | 273 | - | 1,707 |
| W-2 | Feb 2, '15 | 10:10 | n/a | n/a | 10:10 | 236 | - | 2,533 |
| W-3 | Feb 9, '15 | 8:05 | n/a | n/a | 8:05 | 364 | - | 2,365 |
| W-4 | Feb 16, '15 | 9:22 | n/a | n/a | 9:22 | 375 | - | 3,435 |
| W-5 | Feb 23, '15 | 10:25 | n/a | n/a | 10:25 | 295 | - | 2,768 |
| W-6 | Mar 2, '15 | 11:16 | n/a | n/a | 11:16 | 446 | - | 4,367 |
| W-7 | Mar 9, '15 | 10:19 | n/a | n/a | 10:19 | 450 | - | 4,955 |
| W-8 | Mar 16, '15 | - | n/a | 6:36 | 6:36 | - | - | 735 |
| W-9 | Mar 23, '15 | 2:31 | n/a | 1:20 | 3:51 | 413 | - | n/a |
| W-10 | Mar 30, '15 | - | n/a | - | - | - | - | 0 |
| W-11 | Apr 6, '15 | - | n/a | - | - | - | - | 0 |
| W-12 | Apr 13, '15 | 3:02 | n/a | - | 3:02 | 572 | - | 2,239 |
| W-13 | Apr 20, '15 | 9:42 | n/a | - | 9:42 | 475 | 2,099 | 476 |
| W-14 | Apr 27, '15 | 3:44 | 9:41 | - | 13:25 | - | 2,735 | 50 |
| W-15 | May 4, '15 | 5:33 | 5:17 | 15:17 | 26:07 | 530 | 4,004 | 1,584 |
Sunday, 15 March 2015
Week of March 9, 2015: Best week yet, but writing takes so long... getting discouraged.
| Week | Week start date | Days I wrote | Words written | Time used | WPH (avg) | WPH (writing) |
| W-7 | Mar 9, 2015 | 6 | 4969 | 12:31 | 397 | 449 |
Re: Scheduling
So this is the end of my second week of early mornings, and it's working out fairly well. I fall asleep quite easily between 8:30 and 9:30, but still have a bit of trouble hauling myself out of bed. Also I've noticed that when I first started this I used to start writing right away, but now that I'm getting used to the schedule I spend time "waking up" with email checks just like I used to do in the evenings, so even though I get up 2 hours earlier, I only get about 1h20 of writing time in. And I hate when I'm on a roll and have to stop because I have to go to the real job.
This of course makes me flip flop back to 'why not just go back to nights?' If I'm going to 'waste' 40 minutes, I rather use that time to 'wake up' with a jog after the kids are in bed and then plow away with writing. That would also mean my social schedule gets less perturbed, and if I was on a roll I could run with it and push through work on less sleep, going to bed early to catch up. That inconsistent sleep schedule is bad for your overall health though. And my husband says I'm less cranky when I get up early, and less dead when I come home from work, heh. It's what I've been doing all my life though, so I feel myself gravitating to it.
Re: The long, long road...
This week was also the first major discrepancy between what I wrote and what I kept. So even though I wrote 4969, only 4550 remain. That stung.
I should be happy that I'm up to almost 5k a week. In the beginning that seemed like something I would never reach, but I still feel like it's not enough. Right now a lot of my weekly count is happening on the Tuesdays and Thursdays I have free. That's going to end, and then what? Back to the 1500-2000 words a week? Can't happen; I need to meet my goals. I'm impatient! The end of the road looks so far away, and then there's editing, and cover design, and marketing, and business stuff, and mailing lists, and figuring out how to stay anonymous.
I read somewhere that whenever you tackle a long task that you should visualize yourself a year from now, and looking back would you have wanted to start in on it earlier, even if it was just a little bit every day? And of course the answer would be yes. Even if I only have half a book the answer will be yes. But once I've got my mind into something I just want to dive right into it and burn through it until it's done. The fact that I can't because of my job is killing me.
I used to love my current job; I even proclaimed that it was the best job in the world, and I really did feel that way. Now every tiny little thing is getting to me, even if 90% of the time things are good, the 10% eats at my brain. And it comes down to the fact that I still work for someone else.
That's never really fit with me.
I started a dog walking business when I was 9. I did desktop publishing layouts in high school and early university but I felt more like a contractor. In my current part-time teaching job I feel like I'm in my own game, me and the students. I have a Department Head, but s/he doesn't tell me what to do; I just give him/her the grades. There's a freedom there. But in my bread-and-butter job I have a clear boss who I report to every week (and my new boss manages very differently than the old one. I used to feel like a team member whose ideas were appreciated; now I feel like a cog in the wheel who should just shut up and do the work.) While I enjoy the work and feel like I'm making a difference, the fact that it's employment won't change, and the environment is so very dependent on the personality of the person I report to. It's the fatal flaw that's gnawing at me, and making me quite unhappy with what most people would fall head over heels for.
I was reading on KBoards that there's no need to try to advance in two careers at the same time, and it hit me that that's really what I'm trying to do. I'm trying to get a promotion at work (largely so I only need to work one job to make ends meet instead of a full-time job plus a part-time job), and I'm trying to make this writing thing viable. I need to not give so much of myself to my day-job. I put in many hundreds of hours of unpaid overtime a year (I'm salaried, so it's expected), but I need to start delegating and protecting my time. Something has to give, and I can't expect my little boys to be the ones who have to go without their mommy. Sadly, that has been the case during peak periods at work, when they'd be heading to bed when I came home. That lasts 4-6 months. Brutal.
As an aside: I've never really blogged before I started this one, but man, writing all that stuff out is therapeutic. Reminds me of a study I read that showed that people who journal tend to have a better outlook, almost as much as those who go to therapy. I can see that.
Monday, 9 March 2015
To serialize or not to serialize
When I woke up a little past midnight tonight my brain was ruminating over whether or not to serialize my first book to take advantage of putting it in Kindle Unlimited and having 'many books' available right out of the gate. My brain refused to turn off until an hour later, despite the fact that I have to wake up at 4:30...
Anyway, I was thinking of doing something along the lines of what Sean Platt, Johnny Truant, and David Wright of the Self Publishing Podcast do with their seasons and episodes. They've amassed quite a few of them now, so I was trying to figure out how long each one was. I've separated them into works with Sean and Johnny, and works with Sean and Dave, because when Johnny writes the first draft I find they tend to go longer and if edited could have been about 20% shorter. Kindle estimates on the high end of the standard 250 - 350 words per page and uses 350, so the word counts below are going by the page length of their complete seasons for season 1:
Well, now I've used an hour of my writing time to satisfy my brain munchings and set up the above with Amazon affiliate links, so I should head back to actually writing the stuff I may or may not eventually serialize.
Anyway, I was thinking of doing something along the lines of what Sean Platt, Johnny Truant, and David Wright of the Self Publishing Podcast do with their seasons and episodes. They've amassed quite a few of them now, so I was trying to figure out how long each one was. I've separated them into works with Sean and Johnny, and works with Sean and Dave, because when Johnny writes the first draft I find they tend to go longer and if edited could have been about 20% shorter. Kindle estimates on the high end of the standard 250 - 350 words per page and uses 350, so the word counts below are going by the page length of their complete seasons for season 1:
- Sean and Johnny
- Unicorn Western: Full Saga (Books 1-9)
is 712 pages / 249k, so 27.5k per episode ($8.17)
- Robot Proletariat: Season One
is 6 episodes and 388 pages / 136k, so 22.7k per episode ($6.27)
- The Beam: The Complete First Season
is 6 episodes and 564 pages / 197k, so 33k per episode ($4.10)
- Sean and Dave
- Yesterday's Gone: Season One
is 5 episodes and 503 pages / 176k, so 35k per episode ($4.96)
- Available Darkness: Season One (Episodes 1-6)
is 339 pages / 119k, so 20k per episode ($4.96)
- WhiteSpace: Season One (Episodes 1-6 of the sci-fi horror serial)
is 6 episodes and 367 pages / 128k, so 21k per episode ($4.96)
Well, now I've used an hour of my writing time to satisfy my brain munchings and set up the above with Amazon affiliate links, so I should head back to actually writing the stuff I may or may not eventually serialize.
Sunday, 8 March 2015
Week of March 1, 2015: I think this schedule is the best so far
| Week | Week start date | Days I wrote | Words written | Time used | WPH |
| Week 6 | Mar 2, 2015 | 6 | 4501 | 11:16 | 399 |
Sunday, 1 March 2015
Week of Feb 23, 2015: New schedule... again.
| Week of | Days I wrote | Words written | Time used | WPH |
| Feb 23, 2015 | 5 | 3070 | 10:25 | 295 |
Sunday, 22 February 2015
Week of Feb 16, 2015: Aiming for stamina + scheduling
| Week of | Days I wrote | Words written | Time used | WPH |
| Feb 16, 2015 | 3 | 3514 | 9:22 | 375 |
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